MARTIN MCQUADE/BBC
运用技术，我们正在努力编织新的美学语言和叙事体系，拓宽艺术表达的维度和视野。2024年12月，中国国家话剧院原创音乐话剧《受到召唤·敦煌》在国家速滑馆“冰丝带”演出三场，全部满座，深受观众喜爱。我们运用人工智能生成内容（AIGC）技术，生动再现敦煌跨越千年的历史盛景，从西汉末年作为丝绸之路的重要节点，到南北朝时期名士大德隐居敦煌，“古林葱郁”“水渠纵横”“二月含青绿，三秋带紫花”，再到唐代文化商贸交流频繁，敦煌成为“华戎所交一都会”。由AI生成的千年敦煌盛景呈现在60米高色阶巨幕上，“AI+3D+二维动画+即时拍摄”等多重视觉方式，用震撼力十足的视听效果呈现过去和未来多个时空盛景，观众从AI新样态的创造中获得满足。
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马军：今年，我围绕新质生产力发展、重大基础设施建设、区域协调发展、生态环境保护、财税体制改革等领域，结合蚌埠实际，系统梳理了一些意见建议。
auto result = t.transcribe("audio.wav", parakeet::Decoder::TDT); // better accuracy (default)，更多细节参见谷歌
In a tsconfig.json, the types field of compilerOptions specifies a list of package names to be included in the global scope during compilation.，更多细节参见Snipaste - 截图 + 贴图
I have been thinking a lot lately about “diachronic AI” and “vintage LLMs” — language models designed to index a particular slice of historical sources rather than to hoover up all data available. I’ll have more to say about this in a future post, but one thing that came to mind while writing this one is the point made by AI safety researcher Owain Evans about how such models could be trained: